We
all need a beginning. I have always asked of myself to be a good reader for the
irreplaceable advantage of holding the fundamental key to the door of
extraordinary experiences that reading alone can provide, and to be adept in
structuring myself as a writer.
It
was a struggle for me. As much as I wanted to accomplish this scholarly
enterprise, I was slow at reading. My writing was not totally deficient, but it
absolutely lacked the strength of a mind that is only possessed by a natural
reader. There lied my struggle. All I required of myself was to be able to read
justly and be able to write without restrictions.
I
always had an inclination towards classic literature. Technically speaking, my
first love for classic literature began after I read Little Women by Louisa May
Alcott when I was just a kid. I still love that book exactly the same way I
loved it then. The words and images of Little Women on my mind are as vibrant
now as they were then. It was with this book that I found out what it is that I
like to read.
However,
I found my definite beginning when I found Jane Austen. I read my way through
her six novels and then my journey began towards uncovering the matchless
wisdom that lays hidden inside the pages of literature. I am still subtle with
my pace of reading and writing. But I found my initiation into the literary
world and I recognized this fact when I recognized Jane Austen.
As
I read her books, I also began to study Jane Austen, the author. This article
will be a modest interpretation of my perspective of Jane Austen and her works.
Jane
Austen, with her stories and characters submerged into social and natural
backdrops, has magnified my vision of early nineteenth century England. Her
writing has a kind of simplicity and yet an inexplicable richness at the same
time. When you are inside a Jane Austen novel or a Jane Austen movie, you kind
of want to go live in that place and time. At least that is what happens to me.
It is simply wonderful.
Jane
Austen became to me the centre and holding point of an umbrella, the canopy of
which I would compare to the vast arena of English literature. After being
introduced to and enthralled by her works, I started to explore more. I started
to know the names and writings of other English and American authors. I began
reading Charles Dickens, Thomas Hardy, Elizabeth Gaskell, Charlotte Bronte,
Emily Bronte, George Eliot, Wilkie Collins, Nathaniel Hawthorne, John Steinbeck
etc. I felt a kind of distinct satisfaction when I completed a book. I discovered
the excitement of exploring many open and colourful worlds through the medium
of black and white.
Coming
back to Jane Austen, I would say she is historical. In her own lifetime, she
would not know that. But what she would have given for just one glance of the
vision of this future time! A time when her name is not ordinary or forgotten,
but a name that generally tops the lists of legendary literary figures. I
really wish she could have seen that.
When
we read Jane Austen, we tend to be with her, following her into her world of
imaginations, her plots and her characters. She guides us into her vision of Elizabeth
Bennet and Anne Elliot with equal influence. We are drawn into their worlds and
somehow, for that much time when we are reading or watching her characters, it
feels like nothing else could be more important. We want to be like them. We
wish for ourselves to be as charmingly strong as Elizabeth Bennet and as
modestly reinforcing as Anne Elliot. We hope to be as young and alive as
Catherine Norland and as vibrant and energetic as Marianne Dashwood. We aspire
to be as strong willed and bright as Emma Woodhouse and as patient and giving
as Elinor Dashwood. And last but not the least, who would not want to embrace
the devotion and selflessness of Fanny Price. So with her characters, Jane
Austen has not only given us grounds of exploration, but she has given us
unalloyed insights into the possibilities of what a person can be.
Jane
Austen's novels possess a very distinct and characteristic image of the English
society, mostly the society of a typical English countryside. We also find this
society compared with the fashionable community of Bath and London, where
sometimes her protagonists are found visiting. In any case, while reading or
watching her stories, we can discern the workings and makings of the society of
England during the time of Jane Austen.
It
was a time when women had little choice but to marry well to secure their
future. It is comprehended that Austen herself knew this feeling by experience.
Her family had many financial issues, and she had not many options but to
follow the social norm of marriage if she wanted her future to be sheltered.
So, we can see this reflected in her books, where her characters are trying to
keep this balance between not completely being unprotected in the future and at
the same time, not disappointing their souls by marrying out of love. How
spiritedly her principal characters are shown marching into the unknown and
coming out on the other side settled and undefeated in their aspirations!
The
stories written by Jane Austen are two centuries old and yet there are certain
aspects in them, which can be related to, even today by women, especially in
our part of the world. The society holds the power to dominate us. It needn't
always be in the negative sense. It could be either way. But it is inevitable
that the social norms tend to conflict more often than not with the individual
makings. And this is exactly what Austen's characters are seen struggling
against and how incredibly they seem to strike a balance between giving society
its due respect and yet not losing their own unscathed human desires.
Nature
is another element that thrives in the works of Jane Austen. There are
beautiful walks that she emphasizes where her characters are known to roam
about and have chance meetings. There are woods and hills and wonderful paths.
Probably because I am not able to see and walk around such places while living
in my city, for me this kind of vision is almost divine and something that I
seek. The rustling of dried leaves under the feet, the sound of shoes walking
on damp ground, the fresh air breathed in and the feeling of being alive
amongst untouched nature are some beautiful sensations that I perceive while I
read Jane Austen. There is nothing that can replace the calm and repose of
nature. And this certainty is reflected in all the writings of Austen.
Old
English countryside architecture can be seen described in the novels of Jane
Austen. This imagery is very well executed in all the movies that are based on
her books. And easily we are transported to a world far away in time and
situation than ours. When we think of the words Pemberly, Netherfield Park,
Longbourn, Norland Park, Hartfield, Donwell Abbey, Mansfield Park, Kellynch
Hall or Northanger Abbey, we are filled with visions of buildings, gardens and
parks where the characters of Jane Austen lived their everyday lives. Some are
big structures while others are modest cottages. In any case, they are part of
Austen vocabulary and they are as dear to us as the names of the characters
themselves. Haven't we all wanted once to step inside the gates of those places
and see for ourselves what architecture at its best could look like, how
buildings in Jane Austen's time stood, and how their walls and ceilings were
carved. I surely am intrigued by the plain thought of it.
One
of the most esteemed aspect of Austen is the inspiration she ignites to write.
She has been able to create characters and plots that are unforgettable,
interesting and influential. Anyone who has the slightest inclination to write
has no chance of escaping her prevailing inspiration to create something
consequential with words. Also, in most of her characters we notice this
inclination to write, mostly journals and letters. That in itself is
encouraging. So Jane Austen and her characters have the power to bring out the
writer in us if we delve into her world, open to this possibility.
In
all her works, Jane Austen has given humour its due importance. No matter how
serious we need to become to get things done in this world, one thing that
should never be compromised is humour and we see this in the works of Austen.
She makes a point to make us smile through her novels. The characters and
circumstances are interwoven in such a manner that while some momentous event
is happening in the storyline, the readers are at the same time humorously
touched. It only designates the truth that no matter how solemn a situation,
there is always a possibility of making it light so that life does not become a
big chain of severe and rigid moments.
What
could be more rapturous than the delight of dancing! Jane Austen sure as
anything knew that. It is absolutely pleasurable to read and watch the parts in
a Jane Austen story where all the characters get together and dance. The
patterns and routines in which an English country dance is performed are
righteously capturing. I never knew there was such a thing as English country
dance till I came to know about it through Austen. In words and on screen, it
looks riveting. It was also considered as a means of socializing. Sometimes it
is good to do things together like that as a group. Even today we have our own
versions of it. This could lead to a metaphorical insight as to the vitality of
coming together as a community.
Saving
the best for the last, Austen in all her novels, advocates practically and yet
mesmerizingly the distinction of love over every other constituent of life.
Love to her is priceless and so it is to her characters. Like all of us, they
are seeking and treasuring love. She weaves situations and events in such a manner
that every reader can feel what being in love must be like in Austen’s world,
which is not very much different than falling in love in this part of the world
in the twenty-first century. The basic loving instinct of every human being,
anytime, anywhere, is just the same. We cannot help but be awed by how, through
trials and almost lost hopes, Austen’s characters find their way to love-
honest, heart-warming and inspirational love.
Blending
all these brilliant aspects of life into timeless stories, Jane Austen has
furnished the realm of literature with such profundity that cannot easily be compared
with. I have prized every word, every image, every sensation and every
inspiration that has arisen from my knowing Jane Austen two centuries after her
lifetime!
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